light and lovely crossroads blocks

the low-volume crossroads quilt is nearly complete.

as much as i enjoy making these blocks one or two at a time, i got a sudden desire to finish this particular top. i do enjoy them as one-off projects, but chain piecing a bunch at once is also quite satisfying.

this castle pennant block is one of my favorites from the final batch. i had a few leftover pieces of this heather ross rapunzel print from when i made my fall paint lake quilt. the bright pink pennants on top of the towers didn't fit well in the color scheme of that quilt, so i trimmed them out at the time. there were enough of these trimmed pieces to make a block for this quilt, where they fit wonderfully. i was unsure about not including rapunzel in the block, but i think it works very nicely as is.

snack break - carrots and hummus

these were ( i thought ) the final 12 blocks i made. however, when i started to lay the top out, i realized i had my numbers off - the quilt needed 56, not 52, blocks. so i made the last four then got this top joined up:

i like all the blocks individually in this quilt and am pretty happy with much of how it turned out. however, in retrospect, i would currate my fabric choices a little more carefully. there are lots of very pretty, soft florals in this top, as well as many novelty-type prints. some of these blend really well and some don't fit as nicely. i sort of wish i had done all one or the other type. but it's done now and is what it is. it's still a pretty lovely quilt.

that princess and the pea print (all the bright vertical citrus stripes) looked low-volume as a whole print, but because i included large portions of the stacked mattresses, it makes for a much more color dense block than the rest of the quilt. i almost pulled it and used it for my yellow crossroads quilt instead, but just left it. there were some other more relatively medium-volume prints also in the quilt, and whenever i tried to remove one, it made the others stand out even more. so i just left them all the way they were and sewed that top together.

honestly, i don't love it as much as i thought i would. but that's okay! i learned a bit more about fabric selection and my personal tastes. also, go ahead and pull the blocks that aren't working for you. i could have always put them on the back or something.

i got this project and a few others backed and basted, and am working on quilting a whole batch of them now. i looked at several other crossroads quilts on instagram for ideas of how to quilt it, and settled on echo quilting the block joining seams and the outsides of the road strips. i used a bright coral pink thread, although i'm not sure why now. subtle was supposed to be the order of this quilt.

here's a peek at the backing and how the quilting worked out. a good wash and some quilt crinkle will hide the flaws, right? 

why are straight lines so hard sometimes?

sharing space

 

after months of not wanting to work on her quilt whenever i mentioned it, the quilting bug bit and d5 decided she wanted to get to work on it again.

that thrills me. the only problem was her timing. i was hard at work getting some sewing of my own done on the machine across from hers. if she was piecing, it would have been fine. but she was quilting, so the bulk of her quilt would be coming through the harp space and right at me where i was.

at some point, we may have two tables to work on, but for now there just isn't room and our machines are in pretty tight quarters with each other.

i just had to laugh every time it came sliding across my extended quilting table, headed for my piecing work, and roll it to the side out of the way.

really, it was quite fun to be working together at the same time. we could comment to each other on what we were doing or how things were going. i got to show her when my piecing matched up perfectly ... and when it didn't. she'd congratulate me or laugh, as was appropriate. and, like before, she'd periodically bliss out and tell me how much she enjoyed the sewing.

and despite the invasion, i was able to complete my blocks.

i hope this becomes a more regular thing for us.

we'll be working on her binding shortly, and then moving on to her next quilt. she already has ideas for that, and one pattern & fabric pull pairing waiting. so it seems my odds of more companion quilting in tight quarters are pretty high.

string star

i've been an admirer of tara faughnan's color genius for a while now. her palettes aren't obvious and many colors she uses wouldn't be my first choices. but the way she combines them is just brilliant.

recently, i noticed she was offering an online class for making a string star from scraps and i jumped at the opportunity to join. it would challenge my skill set and i could maybe pick up some information from tara about how she combines colors. (her website is tarafaughnan.com)

the class was conducted over two zoom meetings, 3 hours each, a week apart. i wasn't sure how that would work, exactly, but it turned out to be a wonderful format and so much fun!

we learned how to draft our own diamond templates from freezer paper, and how to make slabs from our scraps to cut the diamonds from.

after the first one or two, selecting the colors got a lot easier and the process became really fast.

i decided to make a small test block star that will measure about 20" total when done, to be used on the back, and make a large 60" star for the quilt top. that's right in line with my "stella grande" sizes, so i'll just add a string border to the ends and have a(nother) nice 60"x72" star quilt when i'm done.

we learned how to join y-seams in the class. they just take a little practice. after i made 2 slightly puffy y-seams, we figured out what i had done wrong (pressed between sewing the seams - press after making both, instead), i had no problems with the next ones.

somewhere along the way i didn't do a good job lining up my diamonds, so my points in the center when i joined them all together were a mess. i lost all but two of them.

so i'm unpicking and redoing this when i get a chance.

i'm so glad i decided to do a test block before trying to make a giant single star.

this one is going to be fun on the back, which i have some exciting ideas for.

up to something sunny

crummy indoor lighting photos coming up!

i have a lot of quilt ideas running around in my brain the last several weeks. i've been busting my tail, squeezing a lot of quilting time in lately and working fiendishly fast when i'm at it, but i can't even come close to keeping up with the ideas. the other evening one of them came out in the form of a new start. (i think my wip list is at 26 or so now.) some scraps i intended to use in one of my ideas were close to the cutting table, and i just sort of went ahead and cut them along with what i was already working on.

and then i sewed them together.

bless me, i've started another quilt!

can you tell from the opening teaser photo what i'm up to?

hint: it's a pattern i've used before and is going to be a companion quilt to one of our recent family room favorites around here.

this first block should give at least the first answer about pattern away.

here's the first cuts for the quilt it's meant to companion. do you get it now?

as i've been working on the low-volume crossroads quilt, i've been thinking of how it might be a good pattern for another sunny yellow and white quilt. we all really like the "sunny geese" quilt and i've been wanting to make something else in the same palette to add some more sunshine when needed around here. it just makes us happy to see its bright face, so i wanted to make another sunny quilt.

a treehouse crossroads seemed the obvious choice.

so the other night when i was working on some more low-volume blocks, i just went ahead and started cutting yellow and white pieces, too. i don't intend to have this finished right away, but starting it while i was already in the crossroads mood seemed like a reasonable idea.

uou're going to need to start if you want to get to a finish, so start all the quilts you want to finish, is my philosophy.

this sunny crossroads is slightly different than my previous two as i'm working in pairs this time. my plan is to alternate yellow blocks with white blocks the way i paired yellow and white hsts to make my sunny geese. so i'm making one white block and one yellow block from each fabric pairing.

low-volume crossroads is still going strong, never you fear.

in fact, i completed the final 12 blocks over the weekend. a joined flimsy is coming soon.

spinning elizabeths, a start

recently, i pulled out a few of my quilting books to peruse for ideas and inspiration. that's what they're for, right? i've invested in these books, i should make use of them. jolene at blue elephant stitches was considering a "sew the book" project again and i got curious which book i would choose to sew all (or most) of the quilts from. 

i was looking over one of my favorites, quilt lovely by jen kingwell, and remembered again how much i like the "spinning around" quilt with it's 3 columns of pinwheels and subtly-striped fabric in between.

a few days later an order i had placed for some newer anna maria horner fabrics arrived, including yardage of the brilliant "social climber" print in the newer pink and green colorways. somewhere along the way i started thinking those columns of roses could make a pretty background column to go between the pinwheel columns in a "spinning around" quilt. i got out the print and pulled all the warm/red/pink amh prints i had to coordinate, plus other blenders, to use for pinwheels.

i decided i didn't really want to do three different pinwheels, but to use one type of pinwheel three times. that would simplify the making a whole lot.

now, i don't need any new quilt starts. just look at my wip page - there's something like 25 projects i have in the works. BUT, i had reasons to start this one right away. namely, i was going to get a good chunk of sewing time over a four day period and i thought i could knock this project out into a top in that time. i'm also going to have a similar amount of time in a few weeks, at which time i would work in batch mode to get all my tops sandwiched, and all my sandwiches quilted. why not have one more top to add to the pile?

and so ...

i made several pairings of 4 fabrics and got to work making the double pinwheel blocks.

the color palette i chose is pinks and reds from the "social climber" print, khaki greens, navy blue, deep and mauvy purples, a range of gold-tone and cinnamon browns.

i selected a lot of vintage, antique-type blenders, like the kind denyse schmidt is really good at.

each fabric pairing makes two double pinwheel blocks, so i made three sets (6 total) from each pairing, one pair per column.

i didn't realize when i started just how many hsts i would be making and trimming.

a lot.

there are four double hsts per block. times 37 blocks per column, times three columns.

a lot.

i've never had a trimmings pile this big before, and this was only half way through.

for anyone making double pinwheel blocks, here are my tips:

1. cut your starting strips a smidge (like, 1/16th of an inch) larger than called for in length and width. it will give you more wiggle room when trimming in case something is off. then your center squares have a better chance of matching up.

2. pay very close attention to how your strip blocks are oriented BEFORE you cut on the diagonal to create your triangles. it really matters.

i did not pay close attention to my diagonal cuts the first few times and got some interesting results, and had to make a few additional sets in some cases. see the photo below, the two mixed-up pinwheels in the center, bottom.

and one time (above), i accidentally sewed some triangles together in a mismatched fashion. it was hurting my brain so bad to figure out how i did that and how to undo it! lol. i was about to just sew them together as they were and let them be a fun feature in the quilt, when i realized what i had done and unpicked it to correct. this was the only unpick in hours of sewing and from nearly a hundred blocks, so i'd say i did pretty well.

at first i played around with pairings of fabrics to come up with different configurations. but eventually i decided that going for highest contrast between the pairings was best as it made the pinwheels the most visible and discernable, and i just stuck to one configuration.

looking back, i should have used more low-volume blenders and a few more bright colors.

friday mornings the grandbaby comes to spend time with granna while his mom goes to the gym. he was quite interested in this quilt.

i think he wanted to rearrange them for me.

halfway through the morning, i realized we were wearing matching outfits: we both had denim blue shirts and black leggings on.

let's talk about how this quilt is looking.

i definitely nailed a very specific aesthetic - the scrappy, sort of retro vibe that i see in a lot of australian quilts - in a very fall-feeling palette.

the question is: do i like it?

hmm. 

i'm actually not sure.

this is one super wild quilt.

i learned a long time ago that blenders matter. don't just use all focal fabrics. you need those quiet, more subtle pretties to make your loud ones stand out and shine.

also, go for contrast in scale and color. mix geometrics with the florals.

some tips i picked up on from dana of old red barn co. for scrappy quilts that guided me here:

1. use more fabrics, the more the better

2. choose a color palette and make sure all your fabrics are in it. lots of colors is fine.

some helpful things i have realized while studying the quilts of jen kingwell:

1. lots of dots; polka dots of all sizes and styles are great.

2. make use of what i call "jen kingwell neutrals" to get her vibe. i see a smattering of these vintage-looking, cream- and gold- and tan-toned blenders in a lot of her quilts. i've started collecting them myself. i was looking at some civil war era reproduction prints the other day and i think that's one category where you can find this type i'm talking about.

these are some in my stash. they aren't the type of fabric print i would have selected before, but i do now.

one thing i decided for sure now that most of the blocks are done - i'm not using "social climber" as my background column fabric. it's just way too busy and the pinwheels get lost against it. i did not spend hours and days making pinwheels for them not to be seen. so i'm on the hunt for a good background.

this quilt is definitely in the "hot mess, what-have-i-done" phase. maybe when i have it put together with a good background i will like it. 

it was certainly fun to make; no regrets there.

oh. "what about that name?," you ask.

well, most of the time i was working on this quilt i had a niece here with my daughter. they're best friend cousins and always have been. both of their middle names are elizabeth. i'm considering giving this quilt to cousin elizabeth if i determine she actually really likes it. so "spinning around" plus the elizabeths present made for "spinning elizabeths."

improv in an afternoon

have you ever gotten the urge to just make something right away? to sit down with a project and see it through to completion in an afternoon?

one recent saturday morning i was quickly browsing instagram when an image caught my attention and i suddently needed to get making the thing instantly. i wanted to create something on a whim and it was something that could be done in one day if i put in the work. i just wanted to see if i could do it.

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A post shared by Krystina (@khquilts)

i liked the mix of bright colors and low-volume blenders; and i especially liked the giant flying geese blocks surrounded by randomly sized strips.

so i walked into my sewing room and started pulling fabric.

i decided my flying geese would be made from the gorgeous large-scale floral by dylan mierzwinski for free spirit fabrics. there was a small pile of fabrics from an order that hadn't been put away yet which i thought coordinated really well and had the same feel i wanted.

first, i made the flying geese. i wanted them to be as big as possible. i had a generously cut half yard of the dylan m floral to work with, which allowed me to cut four rectangles at 18.5" x 9.5".

i prefer stitch-and-flip construction for my geese because it allows me to trim to size when completed. if i didn't always get distortion from my horrible pressing (ironing) habits, i could use the no-waste method. but i know myself and i go stitch-and-flip 99% of the time.

i referenced this article by alderwood studios for its measurement equations, which it has for three different methods for making flying geese.

for stitch-and-flip construction, you add .5" to the finished size to get your cutting dimesions. my finished geese were going to be 9" x 18".

 

the squares for the "sky" portion of the geese (outer triangles in the corners surrounding the central "geese" triangle) are the height of the rectangle squared, plus .5".

i liked the yellowish tan color krystina paired with her pink geese, and looked through my solids stash for something suitable. i had a half yard cut of the perfect shade (i think it's moda "sunflower"? not exactly sure), but it wasn't as generously cut as my half yard of the focal floral, so i couldn't get enough squares out of it. i auditioned many yellows in my stash and finally settled on the one from the ruby and bee solids collection by heather ross for windham. it was a touch brighter than i wanted, but it was the best i had.

i recently saw a tip to sew both seams for the hsts before you cut the outer triangles off, just like you would when making a pair of hsts.

what a great idea!

my personal tip: i always press before i cut my hsts off.

there you have it - four super-sized flying geese blocks.

you can see i kept placement of the different yellows consistent along the sides. i considered mixing them up or doing two geese with one color, and went with this set up.

once my geese were made, it was time to fill in around them with the other fabrics.

one reason i like the stitch-and-flip method is i enjoy all the extra hsts it creates. i think it's a bonus method, not a wasteful method. i had 8 hsts leftover from my flying geese and decided to incorporate them on the front. i wasn't sure if it would detract from my focal point of flying geese or not, but the only way to find out is to try it.

i made one pinwheel block and one diamond block with the hsts, wanting both to run off the edge of the quilt. 

i had a large piece of batting leftover from another quilt make which was a nice small throw size - bigger than a crib or baby, but not quite as large as i usually make my throw quilts. since this was very much a make-do, use up stash and scraps kind of quilt, i chose to use it to determine my dimensions for this quilt that had no set size.

i got out that stack of fabrics i wanted to use and just started laying pieces out in a pleasing configuration, folding them up to fit different sized spots.

i pulled a few more scraps and coordinating fabrics out to fill in little gaps and to add a bit more blue.

once i liked it, i began cutting pieces to size and sewing.

i found a spot for a small bit of my robert kauffman umbrella girls.

i used a cutting of heather ross's sleepiing beauty in blue at the top. i've worked heather ross's princesses from her far, far away lines into several quilts lately and am really enjoying it.

i had a small cutting accident when cutting my squares - the fabric was folded in a tiny bit along the top fold, so it made an inny on one square and an outy on another.

the inny cut showed up in my pinwheel block, so i patched it with a small piece of this pear fabric.

i actually really like the effect it creates; one more little make-do moment in the improv quilt.

two and a half hours after i started piecing it all together, i had a completed top.

it measures about 46" x 64" and i absolutely adore the results. it's soft and bright and feminine and lovely. i left it out in the open on the floor outside my sewing room for several days because it just makes me so happy to see it.

this is definitely one project that makes my heart sing.

it was a joy to put together and the results are so pleasing.

if you're ever in need of a fun and quick make, give an improv quilt built around a few large blocks a try.

betsy scrappy trip, a finish

trip around the world is a very traditional, popular pattern. and i've never liked it much.

melonie traylor from southern charm quilts made a pink-and-gold version that caught my attention and made me rethink the pattern. but i've never really been interested in making one.

but then alli at woodberry way hosted a scrappy trip quilt along in january 2020. i kept seeing all these scrappy trip quilts and as i was ready to do another church lap quilt, i decided to make a smaller version with liberty tana lawn. i had betsy in several colorways and decided to make it completely from betsy prints.

scrappy trip is a quilting technique that is explained by bonnie hunter in her tutorial on her quiltville blog.

you can read all about the various decisions i made when assembling this quilt in this post here.

it's handquilted in a crosshatch pattern in all the chambray blocks with aurifil thread in 12wt, color 2021.

the backing is a paring of a bold red betsy and a soft grey one. it sort of represents the spectrum of colorways betsy comes in. i didn't really want to use the grey here as i was saving it for a particular project, but it was the best piece i had on hand at the time and i didn't want to wait for more to come in the mail. it came from my visit to the liberty flagship store in london whilston holiday there in 2017.

the binding is a blue herringbone flannel i purchased from the fat quarter shop and used on my other liberty church lap quilts. they have a listing for this maywood studio flannel right now, but i don't think it's quite the same one i got from them originally.

this is one of two betsy and chambray liberty church lap quilts i've made. the second, which i actually finished first, is "betsys all in a row." she came about when i had scraps from this scrappy trip quilt that i wanted to use and there is a free tutorial for her on this blog. they're quite similar, but i think the "betsys all in a row" is actually my favorite of the two.

i love looking at the different betsy colorways in these two quilts and trying to decide which is my favorite. verdict - i can't decide! there are so many good ones.

i take my liberty lap quilts to church even when they're not complete, so both quilts have been in use since 2020. which is probably why i made the mistake i did recently when i posted my new year's eve finish on instagram a few days after the fact. i grabbed the rows quilt to photograph and post rather than the scrappy trip! haha.

i guess i was thinking it's the one that was started second and must have been the one i finished second, even though it was only a few days after the fact. i didn't realize my mistake until a few days later.

parting shot on this quilt: my not-so-little quilt buddy getting ready to hold the quilt up for a quick snap. d5 came along about a year into my quilt journey. just look how big she is now! that means i've been at this hobby for over a decade now. 

both she and the quilts feel like they have been a part of me always.