penny patch evolution

 the obsession with penny patch continues. really, such a simple quilt, but i've turned it into an epic quilt journey. all my blocks are laid out now. i've been much happier with it since the changes i made to my original fabric pull.

terri ann said to me in a comment, "it's funny how obsessed we can become with creating perfect balance on even a scrappy style quilt huh?" too true. this one keeps dragging me over and sucking me in. having it on the design wall where i see it all the time is a completely different experience. it's actually rather silly how much enjoyment i get out of messing with these blocks, rearranging the squares.

however, this weekend there was still something bothering me. a few somethings.

1. i have never been happy with my choice of the pink as the "pop color". it just didn't pop. but it was the only other color besides the oranges and blues from the pull, so i was using it.

2. i wanted some more color fabrics that were less color dense, included more low-volume in them, as a way to add more low-volume to the over all look.

3. i didn't have enough different blue prints, especially once i decided to remove the green prints as my filler blues.

4. that really bright tangerine was sorta buggin' me, too.

see, i like all these fabrics. but the original pull only incorporated 2 different lines and one of the prints, that sprig, was in the quilt in 6 different colors. i was craving more variety. but i did not want to spend any more money on more fabric. a lady with a bookcase full of fabric, and several boxes to boot, should surely be able to make-do from her stash.

 so i inserted a butterfly print from sandi henderson's meadowsweet collection. every quilt needs a bit of meadowsweet, right? it stayed on the board all week and i thought i liked it. but then i stopped liking the linear nature of the butterflies. they were fluttering in my face too much. it just didn't flow with the feel of the quilt.

by the way, because of the size of my design wall, the quilt is laid out on its side, hence the odd orientation of the blocks in the photos. just in case you noticed and were wondering.

well, i visited my stash again and again. orange is sort of a new color for me and apparently i don't have much low volume, either. darn it!

by saturday, i just couldn't stand it any more. i was going to have to either be unsatisfied with the quilt i had already invested so much time into or GO SHOP. shopping definitely won out.

i brought home a 1/4 yard of everything in the store that i thought might even come close to working. i looked for a different pop color that i could somehow still tie into what i already had and prints in my current color that included a lot of neutral/low volume as well. to really complicate matters, this quilt has a very specific 60's/70's feel to it that i'm trying to maintain.

strike two

strike three

i replaced the butterfly print with a sweet orange floral from happy go lucky by bonnie and camille for moda. it was much better . . . and then it wasn't.

honestly, the more i started pulling out prints and trying to add in the new ones, the more i felt like i was just creating fabric vomit. was i making a huge mistake? had i wasted enough time and effort already? (the fabric is not wasted - it'll get used somewhere, sometime.) self-doubt was trampling me. but as i continued to plow through, switching and culling, it started to feel right.

a closer look at the notebook low-volume print. see the light blue lines that make this look like aged notebook paper? love it.

i could have just sewn everything together the way it was and decided not to care. sometimes you have to cut your losses and make do. i really believe that. but i also believe in not settling. deciding when to do which is hard. however, this quilt has been a learning experiment for me all along, so i made the choice to keep learning. i kept thinking about a recent post where rachel hauser said "don't settle." it seemed right.



and it's paying off. i'm so much happier with the results now even though i suspect that it really doesn't look all that different to anyone else.

some new low-volumes added and a few more blues, including darker ones

i was completely surprised by what ended up working for me. the dark horse, long shot choices were the ones i liked best. goodness, i even pulled that happy go lucky floral that replaced the butterfly that replaced the tangerine sprig, and put the tangerine sprig back in in a few select places.

finally, a home run - several of the new add-ins are seen here

but it's okay. it's all okay. i'm feeling my way through what i like and what works for me. it's stretching and growing going on over here. it's not even so much about the final quilt any more as it is about what i'm experiencing. that's important to me this time around. it won't always be my priority with a quilt, but this time it is.

***surprise, surprise - since i wrote and scheduled this post, laura has said this even better than i have over at little and lots. not only is she a great quilter, she's a writer, too; always speaking to the heart and getting inside the head of quilting. how does she do it? "So, to me, these quilts have ended up being about me as a creator. About pushing aside those evil voices that nag at you when you’re working–voices that sometimes make you put down your work in discouragement." ditto what she said.

all in place now - sewing together of blocks has commenced

i haven't recreated vintage tangerine in exactness here. not by a long shot. i have a more aged tone going on and my colors are stronger, there is less lightness to it. but i do have something i like a whole lot. the fact that this looks very fall-ish is an added bonus since I was just thinking some of the quilts in my family room look so very summer they should probably be put away for a few months.

the last question is what to do with all the cut rejects, because surely i have nearly enough for another quilt by now. i'm probably going to throw them together into a second (third?) penny patch called "leftover pennies" and give it away to someone special i have in mind. i like that idea. i think God can take the messes we make in our lives and make something beautiful or useful out of them. why can't i do that with quilt leftovers, hmm? it won't even make a bit of difference to me how that 2nd one turns out because i already know it's going to be a big, beautiful scrappy pile of culled fabrics. and that's good, too.

the stack for penny patch 1.2

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